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Hung-Pin Hsueh's Aromatic Frame Houses

Posted on: Monday, November 03, 2008

More green goodness from Design Academy Eindhoven's graduate show. Designer Hung-Pin Hsueh proposes a system for using Taiwan Cypress driftwood as a recycled architectural building material. Lattice work and light weight frames are always a beautiful marriage. Flotsam (eco) fabulous.

via dezeen

Flotsam as Metaphor

Posted on: Monday, September 22, 2008

I certainly do not profess to put my work on par with fiber artist Sheila Hicks, but I was amused when I came across these recent images of hers and their compatibility with my fiber flotsam experiments. Her 'Ringlets' (Paris, 1993) - constructed out of colored rubber bands and paper clips is a definite favorite of mine.

Chatelaine Fiber Chain

Posted on: Wednesday, September 17, 2008

My artist friend Brece Honeycutt kindly came out last Saturday to support and participate in my Lower East Side drifting with spun flotsam. She also clued me into the fact that my get up for the day looked somewhat reminiscent of a chatelaine or 19th century "housekeeper's belt".

A chatelaine or 'chain' is a decorative belt hook or clasp worn at the waist with a series of smaller chains suspended from it. Each chain is mounted with a useful household appendage such as scissors, thimble, watch, key, vinaigrette, household seal, etc. In the domestic sphere these implements obviously helped one to navigate the home and always feel 'equipped'. My urban mapping and exploration involved perhaps more impromptu tools - conversation being the principal means of interfacing and connecting. Nonetheless, I am now thinking hard about what my ideal chatelaine might consist of, particularly in this era of environmental sensitivity and heightened awareness.

Street Spinning/Mapping

Posted on: Monday, September 15, 2008

Remarkable synchronicities and somewhat magical moments occurred during Urban Fiber Flotsam. Jung often (loosely) described 'synchronicity' as being an 'acausal connecting principle'. Archetypes floated into view whether on random street corners, peering into pavement cracks, or as layers to be decoded on plastered alley walls. Drifting can indeed by a very centering experience. It is perhaps the most natural way to truly feel at one with your urban surroundings.

Fiber Flotsam Friends

Posted on: Sunday, September 14, 2008

Stopover at Freeman's Tavern on Chrystie Street

Yesterday's outing on the Lower East Side was brilliant, and I have a lot of folks to thank for helping to make my 'drifting experiment' so anchored. I am in the process of archiving all of the photos and documentation, so please stay tuned for a more comprehensive overview of the tour.

For now, I would like to thank the following collaborators:

The CONFLUX 2008 team and curators
Jill Fehrenbacher and Inhabitat for their support
Meiling Chen for her photography and art direction
Jill Danyelle, creative ecologist and 'remake' inspiration
Brece Honeycutt for her input and spun fleece ideas
Moe Beitiks and Olivia Chen for their writing and editing
Eve Mosher for her encouragement and public works
Purl Soho and Habu Textiles
Ludmil, Jasper, Oliver, and Finn
Dad, a farmer and Mom, a handspinner

Eko-Lab Designer, Meiling Chen

Stopover at The New Museum on the Bowery

Street Spun Fiber (Day One)

Posted on: Wednesday, September 10, 2008

ingredients: deflated party balloon, packing tape, chinese food wrapper, dried grasses, found leaves & buds, garment threads, cotton gima, clothing scrap, mohair, angora, and clothing pin - in no specific order

It's All in a Day's Journey

A guild is an association of craftspersons in a particular trade.

Like journey, the distance that could be travelled in a day, the title 'journeyman' derives from the French words for 'day' (jour and journée) from which came the middle English word journei.

Journeymen were generally paid by the day and were thus day laborers. After being employed by a master for several years, and after producing a qualifying piece of work, the apprentice was granted the rank of journeyman and was given documents (letters or certificates from his master and/or the guild itself) which certified him as a journeyman and entitled him to travel to other towns and countries to learn the art from other masters. These journeys could span large parts of Europe and were an unofficial way of communicating new methods and techniques.

Street Specimens

Posted on: Saturday, September 06, 2008

A new archive of urban fiber flotsam specimens is now viewable on flickr/abidoan.

Ragpickers and Historical Urban Fiber

I recently came across this photo while doing research on the history of textiles in lower Manhattan, the Lower East Side specifically. It is a poignant photo of an Italian immigrant woman holding her carefully swaddled baby in her tenement flat on Jersey Street.

Photographed by Jacob Riis, creator of the photographic series, 'How The Other Half Lives' (1891), this image speaks volumes to textiles as a means of survival. Riis was one of the first photographers to use flash, and though viewed to be a muckraker and visual journalist, he was also later criticized for his deprecating views on women and certain ethnic groups.

Urban Fiber Inspiration

Posted on: Tuesday, September 02, 2008

17th century linen tassel

The Beauty of Complexity (Hilal Sami Hilal)

Sewing a possible cloud (Jim Hodges)

Vegetation near Laguardia Place

Origami Buckyball Tutorial

Posted on: Tuesday, August 26, 2008

In preparation for spinning 'urban fiber flotsam' from the streets of lower Manhattan, I thought that I should also polish up on some origami techniques for crafting a 'buckyball' (the artful arrangement of 60 carbon atoms). Better head over to the Whitney Museum this weekend to finally see the Buckminster Fuller exhibition. 'Starting with The Universe' seems like a good place to start.

Breaking the Mold

Posted on: Wednesday, August 13, 2008

These images of 'striped icebergs' have been floating around the blogosphere - literally. I thought that they merited yet another post of humbled admiration. Nature does it best - that's for sure, and when it comes to a grand spectacle that cannot be repeated either in stripes, zigzags or otherwise, these are sculptural forms that impressively break the mold. 

(Thanks for the eco-tip, Mom.) 

Outstanding in Her Field

Posted on: Saturday, July 26, 2008

Remembering that I love these textile/performance pieces by artist Beverly Semmes. Quietly camouflaging oneself while also boldly taking a stance. "X marks the spot" as both a cliff-hanging teaser and a mysterious lure. One moment texturally integrated, the other coyly delineated.

Buried Treasure (1994), Beverly Semmes

Civic Gardening Sessions

Posted on: Monday, July 21, 2008


Some inspiring civic gardening and public works projects for Summer 2008. Innovative examples of leafy adaptation, creative plotting and art farming via a broader definition of cultivation and cross-pollination. Do not miss the latest postings and opportunities for collaboration on Freesoil or Insert_Here. Some architected greenery at Landscape + Urbanism might also keep you cool!

Victory Garden in San Francisco via Eco Art Blog and SF

Festival du Lin

Posted on: Wednesday, July 16, 2008

The lovely ladies at ID Textile (Marion, Sonia and Sylvie) sent me a link earlier this week to this amazing fiber installation for the Festival du Lin (Festival of Linen) in Normandy, France. What a gorgeous marriage of craft, ritual, and stunning site-specific adornment. 

The Busy Bee Instinct

Posted on: Sunday, July 13, 2008

I am excited to finally see these exhibits on view here in the greater Metropolitan area: In Response: Summer Projects at Wavehill and Home Delivery: Fabricating the Modern Dwelling at MoMA. Wonderful evidence of the industrious, 'busy bee instinct' underway in both an idyllic natural setting as well as daunting mid-town Manhattan.

See Home Delivery/MoMA's blog for updates on the prefab installations.

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